HERE TODAY

tim

“Anything I say here will sound tired, lame and cliched: I’m a loving, caring, empathic person trying to survive in a culture dominated by free market, neo-liberal values, white supremacy, patriarchy and the loathsome cult of individualism. My ‘academic’ work is *never* unconnected to my passions, desires, and ambitions for radical social justice. Black Studies is a calling to me, as strong as some folks’ religious fervour, and without music, my life would be a mistake.” – Tim Haslett

We crossed paths infrequently, but everytime i bumped into Tim he would gently tip new ideas (or new music) into my head.

Somebody play this tune for him for me next Monday. We were emailing each other in amazement when it got released, gun clack and heartbeat, the reality of pain as awareness of fragility, history samples and silence at the end when the voice drops out.

Marxmen (M.O.P.) – Here Today, Gone Tomorrow

TROPICAL MONDAY

2 waves of latin tropical hit NYC tonite: El Guincho (from the Canary Islands via Barca) & Zizek crew (from Buenos Aires)

El Guincho also plays free show at Union Pool, BKLYN, tomorrow.

here’s a tune from ZZK Sound vol. 1: Cumbia Digital (buyable), this one sports that synthy villera lean.

Fantasma – Cumbia Que Pega

Fantasma offer all their myspace tunes for download too.

& here’s a great spanish-language interview w/ El Guincho. Note: he’s the only Spanish musician i’ve ever heard who namechecks the (seminal West African) Syliphone label!

on last week’s streamable 2-hour radio show, i dip into both Syliphone 70s territory and B.A. cumbia mutations. Also: Sr. Guincho & Mr. Oceana’s blog (en espanol) is in full-on tour diary mode (“it’s 100 degrees in Austin. Oh yeah, yesterday I crossed paths with Ice Cube.”)

surf’s up! El Guincho’s video

¿En qué medida la música étnica, las música de otros lugares del mundo que se miran en las maneras anglosajonas sin renunciar a sus respectivas tradiciones, crees que puede tener algo que decir en el rock o pop alternativo?

EL GUINCHO: No lo sé. No entiendo bien la clasificación porque generalmente engloba estilos casi antagónicos. Tampoco, viniendo de las Islas Canarias, puedo tener esa visión tan occidental de world music o como lo quieran llamar. La música africana o latinoramericana estaba más a mi alcance que el “pop-rock alternativo”. La ponían en casa, la veía el en WOMAD, la escuchaba por la calle. Estudié en un colegio francés así que conocí antes por compañeros de clase a NTM y MC Solaar que a Pavement, The Feelies o Sun City Girls. Si quería un disco de pop, rock o punk en inglés tenía que investigar mucho y comprarlo. Si quería escuchar los Seis del Solar iba al salón y cogía una cinta.


¿Qué es lo que más os atrae de ella?

Igual que con cualquier otra música, la búsqueda, el peligro y la sensación de ser transportado a un lugar nuevo a través de un disco. Poner una canción y que inmediatamente te haga sentir bien para el resto el día.

¿Cómo se traduce en tu sonido dicha influencia?

Supongo que en mi caso se traduce de forma evidente en los sampleados. Si recorto algo que la gente entiende como “world music” acabará rompiendo una lanza en la canción hacia allí. No sé qué más decir al respecto. Lo siento de veras si no ayudo mucho pero nunca me había sentado a pensar las músicas del mundo como una influencia.

¿Dinos algún artista de world music que os interese y que pueda tener algo que aportar a la música que haces?

No sé si es world, afro-pop o simplemente música africana pero creo que una buena forma de empezar es recuperar los discos de Prince Nico Mbarga con Rocafil Jazz International. Cualquier cosa del sello Syliphone, especialmente Balla et Ses Balladins o el afro-beat ghanés de The 3rd Generation, Marijata o Ebo Taylor.

RADIO-DOM

tonite’s radio show will be from 6-8pm EST! After the 2 week marathon madness, rest assured i’ve got ’nuff new tunes to run through… Next week: special guest Ghislain Poirier.

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had a chance to check the new Kingdom mixtape and it’s zuper — streamable (and buyable) here. What’s it sound like? “ANIMATED GIFS, SECRET RURAL HOMOTHUG PARTIES, TIE-DYE, SUBWOOFERS PASSING IN THE NIGHT, MEMORIES FOREVER.”

(Memories forever? Funes the memorious understands that that sounds like a curse… )

here’s a locative Harlem b-more Cam’Ron / Kingdom refix from it to speed along your day.

DJ Chris J – Party Time (Kingdom Remix ft. Cam’ron)

DAY BREAK

More evidence that teen dancehall producer Stephen ‘Da Genius’ McGregor is pretty much creating his own genre (by splicing open silent time and organizing all the bits of guitars, voices, drums, synths, and glittering sky that fall out):

Eddie Stats’ new column ups a riddim mix of McGregor’s latest beat, DayBreak. great writeup, insane vocal runs…

speaking of reggae & daybreaks, here’s some cumbia remniscent of a dark, metaphysically heavy Lee Perry production. Traigan aguardiente!

Includes the lyrics: “que si no hay pelea no va a amanacer”

the dawn won’t come without a fight.

Super Combo – Cumbia de las Velas

SONIDO Y LA NUEVA CUMBIA ARGENTINA

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yes! coming soon on Soot: a compilation of Nueva Cumbia Argentina selected by Sonido Martines! 12″ for the DJs, then CD for the rest of the world. we’ve been working on this for months, almost there… heads up for some European dates w/ Sonido & myself in April.

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[12″ roughs by Zurita]

last nite’s party in SF was inspiring — 400+ folks came out and dance the night away with us!

while Sonido’s comp focuses on the Buenos Aires scene, the sound travels. Here’s a fresh slice from Mexico, Grupo La Cumbia de Darwin Perea. . This synthy tune belongs to the cumbia subgenre of ‘negrita’ tunes. Which are about love, lust, human ownership, loss, and memory — slavery music! (sort of).

Grupo La Cumbia – Le Negrita

“TO ALL MY BROWN GIRLS IN THE WHOLE WORLD, WITH AFFECTION”

-a donde vas negrita?

-a Nueva York mi amor.

TORMENTA TROPICAL

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Fans of cumbia and other tropical sounds should come to the Bersa Discos party in San Francisco tomorrow (sat.) nite, where i’ll be DJing krunk kumbia heaters alongside Bersa bredren and some of Buenos Aires’ Zizek gang.

ive been chatting a lot about cumbia lately, so i’ll take this moment to say: reggaeton production as lively & creative than ever. here’s a supercharged cover tune, sort of… from a Dominican-German? singing one of the songs labeled inappropriate by Clear Channel post 9/11:

Wilman de Jesus – Walk Like An Egyptian (Pytter mix)

plus, the only neo-whatever WTF clubb jam that’s more now thing than Crookers’ Kid Cudi remix is a new top secret Jah Dan exclusive i will be airing at all available soundsystems, prod. by Matt Shadetek, the only producer i know whose music has gone full viral in NYC black youth culture.

EL TIEMPO TUYO YA PASO

Miami rapper Pitbull wrote this song nearly 2 years ago, and Castro hasn’t left the planet yet.

Regardless of how you feel about Fidel Castro, Cuba, Guantanamo Bay, totalitarianism, 24-hr supermarkets, “boat people”, neoliberal economic policies, santería, neoconservative economic policies, cigars, Coke vs. Pepsi televisual democracy, and/or crunked up salacious Pitbull, this beat = pure Afro hypen madness and he is spitting political on it.

Nu World Club Syncretics stand up!

Pitbull – Ya Se Acabó

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I HAVEN’T GOTTEN MUCH FURTHER WITH GOOGLE DOCS

2:30 PM me: esta noche refieres?
esta noche refieres?
o manyana?
o manyana?
has podido poner info nueva en GoogleDocs?
has podido poner info nueva en GoogleDocs?
sonido: a las 11 pm si estoy seguro q puedo venir
a las 11 pm si estoy seguro q puedo venir
esta noche
esta noche
me: ok cool!!!!!
ok cool!!!!!
sonido: no he avanzado mucho con google docs
no he avanzado mucho con google docs