several plates spinning
* Tomorrow, I’ll be in Durham, North Carolina, performing at the Duke Coffeehouse.
* Friday Nettle will make our D.C. debut at a special edition of Africa Is Not A Country hosted by DJs Bent and Mothersheister! We have new songs to play, a new album to sell, and hope to see you.
* Saturday, Nettle returns to Brooklyn for an intimate show at Williamsburg gallery space Vaudeville Park. We have four hundred candles and Ian keeps talking about tapestries and/or pillows. ATTENDANCE MANDATORY, NEW NEW YORK. Lamin Fofana will DJ.
* Then on Monday December 5th– the action never stops, does it? — you are invited to Spectacle Theater in south Williamsburg for a live broadcast of my WFMU radio show. Thanks to everyone who made our inaugural 100% Arabica Spectacle broadcast a success. Live FM from our favorite underground theater!
[Nass El Ghiwane]
The December 5th radio show will be built from a YouTube selection of my favorite Moroccan tracks, and will be followed by a screening of Ahmed El Maanouni’s gripping and poetic Nass El Ghiwane documentary film, TRANSES (1981). Nass El Ghiwane, a group of working class musicians from Casablanca, revolutionized Maghrebi music in the 1970s and remain Morocco’s most important band. TRANSES captures them at the height of their power.
[self-portrait in my Transes poster]
Here is an oft-compiled Nass El Ghiwane track, Mahmouma. This version comes from Stern’s epic 18-CD “Africa 50 years” box set (“The most comprehensive compilation of African music ever achieved. . . 183 classic recordings by 183 important artists from 38 countries in North, South, East and West Africa.”)
Sterns cut Mahmouma down to half its length, but the mastering is good:[audio:https://negrophonic.com/mp3/NassElGhiwane-Mahmouma.mp3]
[John Francis Peters – Meryem by the sea in Casablanca]
And last but not least, head to Time Magazine’s Lightbox to see “Insha’Allah”, a photoessay by John Francis Peters, taken in Morocco as part of our Beyond Digital project.