I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

– Wallace Stevens, Thirteen Ways of Looking at a Blackbird


Perhaps you didn’t know that the soft drink Tropical Fantasy is manufactured by the Ku Klux Klan and contains a special ingredient designed to sterilize black men. (A warning flyer distributed in Harlem a few years ago claimed that these findings were vouchsafed on the television program “20/20.”) Perhaps you didn’t know that the Ku Klux Klan has a similar arrangement with Church’s Fried Chicken—or is it Popeye’s?…

People arrive at an understanding of themselves and the world through narratives—narratives purveyed by schoolteachers, newscasters, “authorities,” and all the other authors of our common sense. Counternarratives are, in turn, the means by which groups contest that dominant reality and the fretwork of assumptions that supports it. Sometimes delusion lies that way; sometimes not. There’s a sense in which much of black history is simply counternarrative that has been documented and legitimatized, by slow, hard-won scholarship. The “shadowy figures” of American history have long been our own ancestors, both free and enslaved.

– Henry Louis Gates, Thirteen Ways of Looking at Black Man


NYC’s latin radio was killing it this weekend. I’ve got evidence (mostly culled from La Mega).

Exhibit A starts off w/ ersatz Brazilian bassline then goes into a Max Romeo (Prodigy sample-source) edit which moves into a Mavado ‘So Special’ speedy house/baltimore remix thingy, and on. Heavy ‘buttbending’ mixology throughout. The Don Omar “Cuando yo me muera” jam – can anybody ID this?


MuddUp Radio Rip – Exhibit A

If that’s not enough – to raise the bar a few notches – here’s 18 minutes of merengue de la kalle / mambo violento / Dominican gabba. Omega owns this session.


MuddUp Radio Rip – Exhibit B


I wrote this post a week ago then forgot to push it live. Without further ado:

Cumbia and Auto-Tune – two great tastes that taste great together… It’s from Pesadilla, one of the biggest LA Mexican sonidera groups (their CDs are all over NYC). El Hijo de la Cumbia used to do a lot of production for Pesadilla & remains notorious in the sonidera scene for his forward-thinking beats. El Hijo stopped producing for the big sonidera groups to go solo and will release his debut album on Soot this fall... VERY EXCITING.

more on El Hijo soon, here’s the Pesadilla autotune track:


Pesadilla – Chica Vacilona

shouts to Brooklyn bredren Uproot Andy, who just gifted the internets with his Guacharaca Migration mixtape. Andy missed the ‘Knuck if You Buck remix moratorium’ memo that was sent out last year, but it’s a powerful session nonetheless (BROOKLYN STAND TALL). The tape is filled with Andy’s maximal uptempo remixes of latin & african tunes. This excerpt spans his reworkings of Petrona Martinez “La Vida Vale La Pena” and Noite e Dia Ft. Puto Prata vs Quantic “Mana Dança Só”


Uproot Andy – Guacharaca Migration excerpt





jd art blogvers2
ok, so its probably gonna be at least 8 weeks until this 12″ emerges into the world and the (longer) CD version will take even more time, but head to the Dutty Artz myspace to hear “Go Round Payola” & get the full update at DA blog. Short version: it’s been a pleasure gatherng beats for JD to eat.

jd art blogvers2