…for that Trim grime tune we were talking about recently. As Tim Abdellah enlightened us in his comment, Radioclit sampled a few bars of the Gnawa Diffusion’s Bab el-Oued Kingston album to make this beat. Check the original, it’s great:
Gnawa Diffusion – Gazel Au Fond de la Nuit
huge thanks for all the latin american literature recommendations! great stuff, very useful.
Tomorrow i go to South America! I need to see some people about some stuff – very excited – don’t worry, you’ll hear about it. (any latin american literature recommendations?)
Today a Mexican whose name isn’t really Rayo gave me 3 gigabytes of poorly labeled cumbia MP3s (just the song titles, which are not always correct). Yikes! Future libraries are gonna grow weirder and weirder. Oral culture & digital culture – virus-powered all. Replication thru mutation.
When he saw my studio he nodded in affirmation. “Yes, i recognize this. Mine’s the same way.” then he used a Spanish word i didn’t know so i said “what?” and he repeated it, gesturing. “In this chaos, you probably know exactly where to find things.”
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speaking of dark mirrorings, one of my fav compilations from 2007 features just that. Black Mirror: Reflections in Global Musics.
True, i would like this purely on the basis of the cover art: a strangely white woman reflected, darkly, in the surface of an old record, her real-world mouth white as if in the spotlight, her mirrored mouth falling into darkness, as black as silence. Open but mute.
But then there’s the music! an eclectic grab-bag of songs from 78s between 50 and 90 years old. The taste of compiler Ian Nagoski is fantastic, so the overall feel this CD transmits is of something quite special and cohesive.
If i’m ever talking too much or doing something annoying, just play this tune and i’ll stop everything and just listen.
Nji R. Hadji Djoeaehn – Tjimploengan (Indonesia)
All of the reggae covers of Police/Sting songs I’ve heard are great. Freshest name on the list:
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Team Moji flew from Harlem to Copenhagen to party when I played there, and we were the only black people on the boat i think and a Danish woman came up to my friend Erin and said: you have a great smile. thank you for being black!
I was like wow and Moji said to me: “i LIKE being thanked for being black when i’m in europe. yup, it is a singular experience, a real treat, and something you don’t really get uptown (where everyone is black and already sick of the black people they know).”
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anyhow, let me get b(l)ack to making fun of a [correction!] Anonymous Poster on W&W’s blog, which was the original intention of this post. He expressed this sentiment, doesnt matter which way the waters flow so I mirrored it darkly:
“…Refined European polka and waltz started being exported to the Texas area in the late 19th century, where it was welcomed by uneducated Mexicans, always in search of the newest first-world dance beat to mimic and ape, last season it was the waltz, now it’s polka! These Mexicans call it Norteño.
“It’s a shame seeing these Mexicans take the glorious German accordian and refashion it to their own rural, underdeveloped needs. Completely unaware of the polka classics, the wonderful songwriting of the Volks, ignorant of Wagner and our traditions, the Mexicans have appropriated our instruments and pulled them down into the realm of the popular…
“I freely acknowledge that my general visceral reaction against working-class usages of cosmopolitan elements grows out of the confirmed suspicion that these things are not usually carried out in the sense of submission and homage, but rather, as you say above, cross-class climbing and an indigenous craving for a mediated refinement / urbanity / sublimity [insert desired quality of our population here]. . .
Somebody come get me, before I kill this man. Somebody come get me, get this knife out of my hand.
Syren Hall – Somebody Come Get Me
roots love, roots pain. Is this girl a major label test-tube baby? what looks like a realish myspace only lists 69 friends.
Elsewhere in the Caribbean, bachata that runs easy laps then breaks into gabba-sprints, cooked up from Dem Bow bullion:
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Maga Bo live on the radio tonite, playing a NYC show tomorrow
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In other news, huge online reggae store Audiomaxxx was shutdown.
The seizure Wednesday of more than 200,000 CDs and DVDs from the production shop of Winnipeg-based Audiomaxxx.com is likely Canada’s largest in the a decade, says Graham Henderson, president of the Canadian Recording Industry Association. “Independent producers and smaller record labels, including some from the Caribbean, played a big part in pushing the industry and the police to investigate, Henderson said. “Their whole market was being chopped out from under them in the Caribbean, by stuff made in Canada.”
This criminal takedown is not surprising to anyone who knew of Audiomaxxx: there was a bounty on the Canadian’s head for his particularly ruthless theft/bootlegging. For scandal, check the ‘Boycott Audiomaxxx‘ Myspace.
(Winnipeg. It gave us Venetian Snares and King Raj of Audiomaxxx. )
i’m sick. this post is pure cut&paste. i’ll be participating in lively talk @ Harvard this Thursday followed by a special edition Beat Research, relaxed tagteam session w/ Boston bredren DJ Flack & Wayne&Wax. BOTH EVENTS ARE FREE. ////
APRIL 3
“Dubai: The Post-Critical Landscape?” with NEGAR AZIMI,
JACE CLAYTON, and JOSEPH GRIMA
Sert Gallery, 3rd floor, Carpenter Center for the Visual Arts, Harvard U., 24 Quincy St, Cambridge, MA. 617.495.3251 for info.
7:30 pm
drinks and dinner
In recent years, Dubai has been posited as a spectacularized, almost virtual landscape whose rapid expansion has made it impossible to grasp, much less critique. Rhetoric about Dubai has rendered it “post-critical” and “post-ideological;” beyond critical theory’s capacity to adequately engage. Negar Azimi, Jace Clayton, and Joseph Grima will offer strategies for dismantling this disabling rhetoric, using their work in and about Dubai to consider the currency of the “post-critical” and “post-ideological” in Dubai and within the contemporary critical landscape more broadly.
Azimi, senior editor of the Middle Eastern arts and culture magazine Bidoun, will discuss Bidoun’s reconceptualization of the glossy magazine as a site for criticality. Clayton, a sound artist, DJ, and critic who often writes about and works with North African and Middle Eastern music, will consider sampling and remixing as artistic strategies within and outside of DJ culture. Grima, the director of Storefront for Art and Architecture, will contrast Storefront’s interventions in consumerist SoHo with the myriad difficulties Storefront has faced trying to establish an outpost in Dubai.
(after this chat, we relocate & turn up the music. Never trust a critic who can’t dance!!!)
April 3rd
Special THURSDAY
BEAT RESEARCH
with DJ /Rupture
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Our old friend DJ /Rupture will be in town and was looking for a low- key space to play some of his favorite musical treats including some of the choice Cumbia tracks that he has been collecting lately.
He, Wayne and Flack will chillin while tag teaming on the decks (and Laptop) throughout the night.
@ The Enormous Room, 567 Massachusetts Avenue, Cambridge, MA
9pm to 1am, 21 plus, Free
today’s show will be from 6-8pm! i’m sick but 7 Second Delay is sicker, so i’ll be filling in for their slot. next week: special guest MAGA BO. click for his North American tour dates.
here’s the first of 3 DIY on-location videos Maga Bo did for his upcoming album (myspace for preview), this one in Dakar with Xuman of Pee Froiss fame:
[youtube: Maga Bo – Fire ft. Xuman]
& 2 low-end mixes, fresh from my inboxxx:
Squinchy Jones – Nintendub (a dubstep / rap / 8bit mix from Houston )
Ruff E Nuff – untitled 6th birthday mix (dancehall / raggajungle/ dubstep / rap crew mix, shout to Geroyche)
Trim has a new mixtape – buyable
“look I am a thief I am a thief”
Trimski – Thief in the Night (prod. by Radioclit)
looped gnawa guembri bass presented as grime – nice! although the chorus samples shift to the wrong type of Maghreb music, and gnawas probably wouldn’t like the lyrics. the other Radioclit beat on Trim’s mixtape is hot too, crazy minimal, also with arabesque samples.
elsewhere, south south south of London, young boys who dance together dangle a rapper in, just for moment – a nod to the prevailing mashup logic but just a nod, he gets dipped in and out of the regadda music, cut to a toddler by the sea, cut to a car parked in cloud-covered foothills.
(good reading over at That Veiled Gazelle, from which this photo was taken.)
So. Omega y Su Mambo Violento.
Over in the Dominican Republic, there’s a young man by the name of Omega, last letter in the Greek alphabet. It’s already a bit apocalyptic. And his band? Mambo Violento. And their deal!? Deft, catchy street merengue (‘meregue de la calle’ aka mambo)that surges over 200bpm+, coolly guided by his slo-mo baritone.
Does the song below have Amen breaks? I think so. “Tu No Ta Pa Mi”: this contains the best doubletime riddim shift I’ve heard in a long time, starts off smooth and just launches. Shout to dutty bredren Geko Jones for the digging assistance. Note that I found it on Domincantube.com — i like the ‘eastafricantubeization‘ of streaming media sites.
anyhow, here’s Omega Mambo Violento. Don’t let the mismatched video fool you — it’s for “Alante Alante”. The audio belongs to “Tu No Ta Pa Mi,” and he’s singing about finding himself alone with the TV on, crying over impossible love, etc. It’s downright Morrisey :
…got my first DJ booking in North Africa — May 1st at a lakeside spot in Marrakesh! (yes that is a photo of the place.)
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Ghislain Poirier on WFMU, S/FJ on Ghis, .
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dancehall / cumbia / hood electro / grime / dubstep / tropical aka
your friday night plans: DUTTY ARTZ TROPICAL DANCE, Glasslands, williamburglandia.
Its just me, Geko Jones, and Matt Shadetek dropping tunes all nite long (I’ll be playing early and late sets).
$2 before 11pm, only six bucks after… cheap drinks & all the dutty wine and tropical shakers you could ask for. We have deep quality crates and a lot of new heat to share. hosted by Ladidadi, crazed color-art by Artz Atak, plus low-end reggae soundsystem reinforcements for that extra bump.
keywords: FUN MISTAKES
