The great thing about Omega fandom is that it requires no explanation. Either you haven’t heard of him (in which case, read the Omega profile I wrote for The Fader last summer) or you have, and his bad-assness is utterly self-evident. It’s simple: this former reggaeton choreographer is “El Fuerte”, one of the best musicians around in any genre right now, period, the undisputed dark king of Dominican merengue urbano / mambo. Plus he’s kinda scary – we’re not fooled just because he dropped the “y su Mambo Violento” from his name. (When you find an Omega fan, ask ’em about Rita Indiana — they’ll have an opinion on her too.)
Omega El Fuerte plays twice this weekend in NYC – as I tweeted: “all NYC’s latin ‘cosmopolatino’ websites that *didnt* mention OMEGA’s gigs here this weekend: #FAIL” (gracias a Carolina for the head’s up). Although it’s always nice to be reminded that much of the craziest stuff happening on this planet is primarily offline, lazy journos & surfers miss out.
Ears a la calle… If you live in New York City and don’t have your ears to the street, then you won’t have noticed the strong strange Puerto Rican proto-reggaeton Playero revival emanating out of Dominican cars… That sentence might not make any sense, but it sounds exactly like this new Omega track bumping in a style that was popular in PR like 15 years back:[audio:https://negrophonic.com/mp3/Omega-tirense-to.mp3]
GIF from last night’s show:
and an excerpt from my Fader profile on Antonio Peter De La Rosa Aka Omega:
His street-viral swagger means that folks at every point in the food chain—from Dominican TV producers to dudes in Washington Heights who cobble together concert recordings—figure they can make a buck by tapping into El Fuerte’s power. “We get a lot of fans buying flights to Santo Domingo just to see us perform,” he says via phone from the Dominican Republic. Visa and deportation problems have kept international Omega appearances scarce… [issue 62 PDF]