this began as a “Top 10 List” but got more interesting…
excerpt:
#7. Cher, “Believe” (WEA)
This started it all: “Believe” is a song you still hear in supermarkets now, a full ten years after its release. Staying power! When the taut skin and other side-effects of repeat plastic surgery form their own aesthetic, can we think of it in terms of Auto-Tune?
a big hit! Tamazight lyrics, French hook. This has been bootlegged onto the “Oriental Vibes” vinyl which Broklyn Beats stocked awhile back. Kabyle stormer with international legs.
& here’s one of those 10 minute Berber male & female autotune duets (which i can’t get enough of)
Loudmouth cross-cultural outreach has long been a part of Mister Rhymes oeuvre, this we know.
But he just cranked it up a notch, rapping a timely rap about sound finance and geopolitics in light of a derailing US economy. On a lesser note, I get the feeling that he visited Dubai and stayed in the Burj Al Arab, what with the 7-star reference, etc, though he seems to think Arafat isn’t dead.
I’m not including the song title or full artist name because I want you Mudd Up! readers to listen to this track at your leisure — a cease-&-desist letter from Google-Alert wielding major label lawyers would interfere with our contemplation. (shout to Todomundo for the tip!)
This brand new single is major because it unites (presumably by force) what I consider to be the two major fields receiving autotune enhancement: namely black American rap/R&B and Maghrebi popular music (where its use spans genres & languages).
There’s a lot more to be said, but it’s late, lets enjoy some autochthonous Algerian autotuneage: