Rahim al-Haj – Baghdad, New Mexico
On the CD’s back cover Bill Frisell says “I hope many people will have the chance to hear his new album, Home Again, made up of his own very personal compositions.” But despite the ominous signs, it’s not a bad album. Solo oud with plenty of strumming, downright banjoesque at times.
Forged endorsement is an interesting concept. Let’s save that for another post. Also, we’re starting a blog about ___ that will be bilingual, despite the fact i’m a lazy and unfaithful translator.
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Andy was the first person to ask me about the last song featured in Masala’s post, which I hadn’t recognized when I first heard it, Do You Think I’m Sexy version from Sonido’s Rebajadas mix. Since then a lot of people have asked.
Complexe et diversifiée, la méditerranée laisse entrevoir histoires communes et singularités, entre mémoires et enjeux d’avenir.
Damien Tallard presents “Espadrille“, a streaming selection of North African music produced and issued on vinyl in Marseilles from 1950 through the 1970s.
Marseilles occupies a special place in my heart ever since i first stepped foot there (the view from the gare!). Partly because it is reminiscent of Barcelona with the horrible tourism aspects removed, partly because it is Maghrebi, partly because of the wonderful people I meet every time I go through, a unique fold in the map… Visiting there its difficult to recommend people specific places to go — Marseilles magic, for me, is non-obvious, not immediately visual, slow-moving and deep, in a sense it is like Madrid, another city capable of being user-unfriendly at first, which blossoms the more time you spend there.
big hugs to Amèlie @ Radio Grenouille in Marseilles for the tip, look for MuddUp! re-broadcasts there soon…
Tallard’s Espadrille post contains tantalizing info — a tangle of streets, a trio of labels, a distributor — that makes me want to learn more & some lovely, annotated album artwork scans.