With all due respect to the Reverend Martin Luther King Jr. and El-Hajj Malik El-Shabazz– in this sludgy powerful reggae riddim with a Malcolm X sample I hear a call for structural violence… Because that’s what’s happening to the music (and the words in it): the Roots Radics dub version kicks out this time-worn riddim’s walls to let in psychic/studio space.
“Turn the other cheek revolution” – the DJ cut brings in a hint of ambiguity, leans (slightly) towards the post-Mecca El-Hajj Malik El-Shabazz worldview. Malcolm’s full sentence was, of course: “There’s no such thing as a turn-the-other-cheek revolution.”
Structural violence as freeing up discursive space. This can happen in many ways, like when you usher unseen narratives into visibility (Toni Morrison’s early work as an editor bringing black women’s writing to a mainstream readership in the 1970’s is an awesome example); communicating across a hostile silence which didn’t serve y/our purpose, or – dubwise – inserting a silence which does.
(& i love 7″s for their combination of brevity and effort – after 3 minutes, you need to get up and stop the record. This mp3 loses that.)