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	<title>Comments on: SCATTERED HITS &#038; THE READ SCARE</title>
	<atom:link href="http://www.negrophonic.com/2007/scattered-hits-the-read-scare/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.negrophonic.com/2007/scattered-hits-the-read-scare/</link>
	<description>dirt, sound, lit</description>
	<pubDate>Tue, 02 Dec 2008 01:54:11 +0000</pubDate>
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		<title>By: wayneandwax.com &#187; Hear Here</title>
		<link>http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3448</link>
		<dc:creator>wayneandwax.com &#187; Hear Here</dc:creator>
		<pubDate>Tue, 21 Aug 2007 20:34:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3448</guid>
		<description>[...] links, and given that that &#8220;Slow Music from West Africa&#8221; mix (via Thursday Born via /rupture) has served so sweet as a late summer soundtrack, my appetite was well whet for a Sierra [...]</description>
		<content:encoded><![CDATA[<p>[...] links, and given that that &#8220;Slow Music from West Africa&#8221; mix (via Thursday Born via /rupture) has served so sweet as a late summer soundtrack, my appetite was well whet for a Sierra [...]</p>
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		<title>By: looj</title>
		<link>http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3397</link>
		<dc:creator>looj</dc:creator>
		<pubDate>Sat, 11 Aug 2007 16:35:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3397</guid>
		<description>with regards to calle 13, i went and saw them here in DC, and i don't understand a lick of Spanish. it was still thoroughly enjoyable, but of course a bit frustrating. i first ran across them on a youtube clip of &lt;a href="http://www.youtube.com/watch?v=eUV7amX-G3o&#38;eurl=http%3A%2F%2Fsqueezyboy%2Eblogs%2Ecom%2Fsqueezytunes%2F2007%2F03%2Fcalle%5F13%2Ehtml" rel="nofollow"&gt;Tango del Pecado&lt;/a&gt; on &lt;a href="http://squeezyboy.blogs.com/squeezytunes/2007/03/calle_13.html" rel="nofollow"&gt;squeezytunes&lt;/a&gt;.  i then ran into them on wayne's &lt;a href="http://wayneandwax.com/?p=52" rel="nofollow"&gt;another crunk genealogy&lt;/a&gt; and heatwave's &lt;a href="http://www.scandalbag.com/blogariddims23.html" rel="nofollow"&gt;la ola de calor&lt;/a&gt;. weird how the internet works.

anyway, i've found that residente's flow is so interesting and rhythmic, it doesn't matter all that much to me that i can't understand the vast majority of his lyrics. i wouldn't really consider going to see any other "reggaeton" artists (maybe voltio), because i just don't hear that same rhythm, voice, and flow. combined with visitante's beats, and their overall aesthetic of pushing "urban" latin music in broader diasporic directions, i'm willing to live with the knowledge that i miss a lot of what  they expouse via vocalization.</description>
		<content:encoded><![CDATA[<p>with regards to calle 13, i went and saw them here in DC, and i don&#8217;t understand a lick of Spanish. it was still thoroughly enjoyable, but of course a bit frustrating. i first ran across them on a youtube clip of <a href="http://www.youtube.com/watch?v=eUV7amX-G3o&amp;eurl=http%3A%2F%2Fsqueezyboy%2Eblogs%2Ecom%2Fsqueezytunes%2F2007%2F03%2Fcalle%5F13%2Ehtml" rel="nofollow">Tango del Pecado</a> on <a href="http://squeezyboy.blogs.com/squeezytunes/2007/03/calle_13.html" rel="nofollow">squeezytunes</a>.  i then ran into them on wayne&#8217;s <a href="http://wayneandwax.com/?p=52" rel="nofollow">another crunk genealogy</a> and heatwave&#8217;s <a href="http://www.scandalbag.com/blogariddims23.html" rel="nofollow">la ola de calor</a>. weird how the internet works.</p>
<p>anyway, i&#8217;ve found that residente&#8217;s flow is so interesting and rhythmic, it doesn&#8217;t matter all that much to me that i can&#8217;t understand the vast majority of his lyrics. i wouldn&#8217;t really consider going to see any other &#8220;reggaeton&#8221; artists (maybe voltio), because i just don&#8217;t hear that same rhythm, voice, and flow. combined with visitante&#8217;s beats, and their overall aesthetic of pushing &#8220;urban&#8221; latin music in broader diasporic directions, i&#8217;m willing to live with the knowledge that i miss a lot of what  they expouse via vocalization.</p>
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	<item>
		<title>By: thursdayborn</title>
		<link>http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3375</link>
		<dc:creator>thursdayborn</dc:creator>
		<pubDate>Fri, 03 Aug 2007 02:42:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3375</guid>
		<description>ps- thanks for posting the link to my man simon's slowjams mixtape...</description>
		<content:encoded><![CDATA[<p>ps- thanks for posting the link to my man simon&#8217;s slowjams mixtape&#8230;</p>
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		<title>By: thursdayborn</title>
		<link>http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3374</link>
		<dc:creator>thursdayborn</dc:creator>
		<pubDate>Fri, 03 Aug 2007 01:01:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.negrophonic.com/2007/scattered-hits-the-read-scare/#comment-3374</guid>
		<description>&#62;A more accurate version would be — Harry Potter novel mutation in China: “a &#62;combination of counterfeiting, literary fraud and copyright violation, all placed in &#62;the service of remarkable imagination and startling industriousness.” but even &#62;that doesn’t fully articulate the unhinged, Baudrillian essence of this…

exactly. this is a similar process that most stories, tales and legends have gone through all over the globe since human speech and storytelling began. stories mutate and get re-adapted to fit the cultural, economic or creative needs of those using them in a given environment. this writer makes himself sound narrow because he has forgotten that up until fairly recently, stories were TOLD (usually for free)—not printed in 10s of languages and sold in more than a hundred countries all from one publishing entity, protected in the name of international (read: western) copyright law. 

no wonder homegirl is richer than the queen.</description>
		<content:encoded><![CDATA[<p>&gt;A more accurate version would be — Harry Potter novel mutation in China: “a &gt;combination of counterfeiting, literary fraud and copyright violation, all placed in &gt;the service of remarkable imagination and startling industriousness.” but even &gt;that doesn’t fully articulate the unhinged, Baudrillian essence of this…</p>
<p>exactly. this is a similar process that most stories, tales and legends have gone through all over the globe since human speech and storytelling began. stories mutate and get re-adapted to fit the cultural, economic or creative needs of those using them in a given environment. this writer makes himself sound narrow because he has forgotten that up until fairly recently, stories were TOLD (usually for free)—not printed in 10s of languages and sold in more than a hundred countries all from one publishing entity, protected in the name of international (read: western) copyright law. </p>
<p>no wonder homegirl is richer than the queen.</p>
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