Comments on: BABEL / CUMBIA COLOMBIANA http://www.negrophonic.com/2007/babel-cumbia-colombiana/ dirt, sound, lit Sat, 20 Mar 2010 15:29:29 +0000 http://wordpress.org/?v=2.9.2 hourly 1 By: Dub1 http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1207 Dub1 Fri, 20 Apr 2007 14:35:21 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1207 yes Jace thanks for this post. accordians are nice from Sudan to Sinaloa! instead of the banda(with Tuba bass) I should've sent some Norteno. was the Chalino cd a no comment?thanks for the tips from the others. peace yes Jace thanks for this post.
accordians are nice from Sudan to Sinaloa!
instead of the banda(with Tuba bass) I should’ve sent some Norteno.
was the Chalino cd a no comment?thanks for the tips from the others.
peace

]]> By: jace http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1206 jace Fri, 20 Apr 2007 14:22:09 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1206 chris - what a zinging review!! & martin - i still dont fully understand how german polka bass-playing evolved and stabilized, it seems like the bass players would get bored and switch it up, add more notes (!), etc. but the accordeons, YES. that's fantastic. estoy escuchano a Los Tigres del Norte, buscaré Control M y Silencio. chris – what a zinging review!! & martin – i still dont fully understand how german polka bass-playing evolved and stabilized, it seems like the bass players would get bored and switch it up, add more notes (!), etc. but the accordeons, YES. that’s fantastic. estoy escuchano a Los Tigres del Norte, buscaré Control M y Silencio.

]]> By: chris http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1201 chris Fri, 20 Apr 2007 09:47:57 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1201 <a href="http://www.wordthecat.com/images/henry_castro_-_cumbia_de_colombia.mp3" rel="nofollow">cumbia de colombia</a> (en venezuela). “We don’t want other worlds, we want mirrors” <a href="http://www.cinema-scope.com/cs28/cur_tracy_babel.html" rel="nofollow">we-are-all-connected</a>: the embedded realism of transnational capital. (i haven't actually seen babel as it goes) cumbia de colombia (en venezuela).

“We don’t want other worlds, we want mirrors”

we-are-all-connected: the embedded realism of transnational capital.

(i haven’t actually seen babel as it goes)

]]> By: martin http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1198 martin Fri, 20 Apr 2007 07:51:28 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1198 holy shit, jace. accordions? now, we're getting somewhere. my dad plays the accordion and my grandfather (who recently passed away) learned to play from some of the earliest germans who immigrated and brought the instrument to texas. he eventually played norteño music--a wonderful hybrid of working class mexican folk, country music and german polkas. of course, colombian cumbias are more fun and are quite danceable. they're different in mexico, a little slower and less slurred. if you're curious, you should listen to Control Machete or El Gran Silencio. both are groups from Monterrey, Mexico that use accordion samples (or in El Gran Silencio's case, real ones) in Spanish hip-hop. Control Machete is on one of those Celso Pina tracks from the mix. good stuff. holy shit, jace. accordions? now, we’re getting somewhere. my dad plays the accordion and my grandfather (who recently passed away) learned to play from some of the earliest germans who immigrated and brought the instrument to texas. he eventually played norteño music–a wonderful hybrid of working class mexican folk, country music and german polkas. of course, colombian cumbias are more fun and are quite danceable. they’re different in mexico, a little slower and less slurred.

if you’re curious, you should listen to Control Machete or El Gran Silencio. both are groups from Monterrey, Mexico that use accordion samples (or in El Gran Silencio’s case, real ones) in Spanish hip-hop. Control Machete is on one of those Celso Pina tracks from the mix.

good stuff.

]]> By: mizzlek http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1191 mizzlek Fri, 20 Apr 2007 03:24:21 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1191 hey jace thought you might get a kick out of this if you havent seen it already www.mingeringmike.com hey jace thought you might get a kick out of this if you havent seen it already

http://www.mingeringmike.com

]]> By: jace http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1173 jace Thu, 19 Apr 2007 17:21:09 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1173 i enjoyed it too. 'sobre el río' is the Piña song on in the soundtrack. youtubed here: http://www.youtube.com/watch?v=e97isb0e5nQ i enjoyed it too. ’sobre el río’ is the Piña song on in the soundtrack. youtubed here: http://www.youtube.com/watch?v=e97isb0e5nQ

]]> By: boxmyth http://www.negrophonic.com/2007/babel-cumbia-colombiana/comment-page-1/#comment-1171 boxmyth Thu, 19 Apr 2007 17:04:05 +0000 http://www.negrophonic.com/2007/babel-cumbia-colombiana/#comment-1171 I actually enjoyed the movie. Thanks for the excerpts. Good stuff. I actually enjoyed the movie.
Thanks for the excerpts. Good stuff.

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